Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Domenicho Ghirlandaio
Christus in der Gloriole mit den Heiligen Bendikt,Romuald,Attinea und Grecinana

ID: 29480

Domenicho Ghirlandaio Christus in der Gloriole mit den Heiligen Bendikt,Romuald,Attinea und Grecinana
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Domenicho Ghirlandaio Christus in der Gloriole mit den Heiligen Bendikt,Romuald,Attinea und Grecinana


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Domenicho Ghirlandaio

Renaissance Artists , 1449-94  Related Paintings of Domenicho Ghirlandaio :. | Taufe Christ | Evangelist Johannes | Stifterbildnis,Francesca Pitti-Tornabuoni | Berufung der ersten junger | Details of Verkundigung an Zacharias |
Related Artists:
Jean Honore Fragonard
1732-1806 French Jean Honore Fragonard Locations French painter. He studied with François Boucher in Paris c. 1749. He subsequently won a Prix de Rome, and while in Italy (1756 ?C 61) he traveled extensively and executed many sketches of the countryside, especially the gardens at the Villa d Este at Tivoli, and developed a great admiration for the work of Giovanni Battista Tiepolo. In 1765 his large historical painting Coresus Sacrifices Himself to Save Callirhoë was purchased for Louis XV and won Fragonard election to the French Royal Academy. He soon abandoned this style to concentrate on landscapes in the manner of Jacob van Ruisdael, portraits, and the decorative, erotic outdoor party scenes for which he became famous (e.g., The Swing, c. 1766). The gentle hedonism of such party scenes epitomized the Rococo style. Although the greater part of his active life was passed during the Neoclassical period, he continued to paint in a Rococo idiom until shortly before the French Revolution, when he lost his patrons and livelihood.
Cornelis Jonson
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Samuel Palmer
1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.






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