Renaissance Artists , 1449-94 Related Paintings of Domenicho Ghirlandaio :. | Vertreibung joachims aus dem Tempel | Anbetung des Kindes | Taufe Christ | Alter Mann mit einem kleinen jungen | Anbetung der Konige | Related Artists:
Jan Van Eyck1395-1441
Flemish
Jan Van Eyck Locations
Painter and illuminator, brother of Hubert van Eyck.
According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425.
Leon Wyczolkowski1852-1936
was one of the leading painters of the Young Poland movement, as well as the principal representative of Realism in Polish art of the period. Born 1852 in Huta Miastowska near Siedlce, Wyczełkowski died 1936 in Warsaw.
Michel-Ange Houasse1680-1730
French
Michel Ange Houasse Gallery
Son of Rene-Antoine Houasse. He trained in his father's circle, becoming familiar with the academic teaching methods then fashionable in France and also in Italy, where he went with his father. In 1706 he joined the Acad?mie Royale de Peinture et de Sculpture in Paris, obtaining the rank of Academician in 1707 with the painting Hercules and Lichas (Tours, Mus. B.-A.). In Rome he probably became acquainted with the Marquis d'Aubigny, secretary to the powerful Princess Orsini, who was close to Philip V of Spain. The Spanish King already had the painter Henri de Favanne in his service in Madrid; Michel-Ange was recommended for work at the Spanish court by Count Jean Orry (1652-1719), the King's French finance minister, and arrived there in 1715. He had contact with the French artists at court and married the daughter of the French architect Rene Carlier.